Re-create the sound of a blues club in your convolution reverb by creating your own impulse. It just takes white noise, EQ, chorusing, and some editing....Read More
Is the VST3 format that much better? Do you need to install both VST 2.4 and VST3 formats? Let's investigate—and bust some myths about VST plug-ins....Read More
Tremolos have come a long way since surf music. Synching them to tempo, and using serial or parallel routings, can add a new kind of rhythmic spice....Read More
There’s no shortage of compressor tips on the web, but let’s look at five useful, practical compressor tips that maximize the effectiveness of vocals....Read More
Loop-based music isn’t only for Djs—loops can work in rock, movies, and more. With a little editing, you also add a lot of interest to loop-based music....Read More
Tempo variations help a song “breathe,” and accent tension/release. This may seem hard to do with computer-based projects, but there’s a simple workaround....Read More
Some synthesizers let you program their faders, switches, and buttons so you can mix with them in conjunction with a recording program’s virtual mixer....Read More
Keyboard shortcuts save much time, but macros—which string together multiple shortcuts—can save you even more time by automating repetitive operations. ...Read More
Studio One’s Project Page is unique, but you can use it with other DAWs to take advantage of being able to edit songs and create a master at the same time....Read More