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Craig Anderton  |  Create · Innovate · Inspire

Music Technology Education & Wizardry

Tag: compression

DIY Multiband Splits for Pro Tools

DIY Multiband Splits for Pro Tools

Posted on April 25, 2022April 30, 2022 by craiganderton
Pro Tools Perpetual licenses don't have a frequency splitter, but we can make our own—and create multiband compression, distortion, delay, and more... Read More
How to Use Rack-Mount Compressors with Guitar and Bass

How to Use Rack-Mount Compressors with Guitar and Bass

Posted on November 30, 2019December 4, 2019 by craiganderton
A recording studio’s rack-mount compressors can offer better specs, and more versatility, than stompboxes—but you need to interface guitar with them correctly.... Read More
10 Tips for Great Synth Bass

10 Tips for Great Synth Bass

Posted on November 24, 2019April 28, 2020 by craiganderton
There’s something about the massive sound of a good synth bass that’s irresistible, and these ten tips will help you get an even better bass sound. ... Read More
Should EQ Go Before or After Compression?

Should EQ Go Before or After Compression?

Posted on October 9, 2019December 4, 2019 by craiganderton
The order of effects is important. But while there are some “default” orders, each situation is different—and you need to know what will work best for you.... Read More
5 Compression Tips for Vocals

5 Compression Tips for Vocals

Posted on October 8, 2019December 3, 2019 by craiganderton
There’s no shortage of compressor tips on the web, but let’s look at five useful, practical compressor tips that maximize the effectiveness of vocals.... Read More
Aux and Send Bus Techniques

Aux and Send Bus Techniques

Posted on August 27, 2019December 30, 2019 by craiganderton
Aux buses, whether in a hardware mixer or within a program's virtual mixer, are often underutilized – so let’s check out how to get more use out of them.... Read More
How to Limit MIDI Velocity

How to Limit MIDI Velocity

Posted on August 13, 2019April 7, 2020 by craiganderton
Obtaining a more consistent touch from an instrument has to happen at the source, when the instrument play, rather than after-the-fact audio compression.... Read More

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